Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903 .Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;  Related Paintings of Camille Pissarro :. | Cloudy garden | Pang plans scenery Schwarz | grass | Farmland landscape | Boulevard Montmartre |
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BLONDEEL, Lanceloot
Flemish Northern Renaissance Painter, 1498-1561 South Netherlandish painter, draughtsman, designer, architect, civil engineer, cartographer and engraver. He is said to have trained as a bricklayer, and the trowel he used to add as his housemark next to his monogram LAB testifies to this and to his pretensions as an architectural designer. In 1519 he was registered as a master painter in the Bruges Guild of St Luke, where he chose as his speciality painting on canvas. The following year he collaborated with the little-known painter Willem Cornu in designing and executing 12 scenes for the Triumphal Entry of Emperor Charles V into Bruges. From then onwards Blondeel received regular commissions, mainly as a designer and organizer. Records of legal actions show that he was sometimes late with commissions; he took seven years to execute a Last Judgement ordered in 1540 for the council chamber at Blankenberge, and in 1545 the Guild of St Luke summoned him for his failure to supply their guild banner on time. Blondeel was married to Kathelyne, sister of the wood-carver Michiel Scerrier; of the two daughters of this marriage, the eldest, Maria, married the tapestry-weaver Andries Hansins before 1542 and the younger, Anna, married Blondeel's pupil, the painter Pieter Pourbus, before 1545.
Girolamo dai Libri
(1474/1475 - July 2, 1555) was an Italian illuminator of manuscripts and painter of altarpieces, working in an early-Renaissance style. He was born and mainly active in Verona. His father was Francesco dai Libri, and was so named because he was an illuminator of books. Girolamo's works were noted by Giorgio Vasari. Girolamo was a pupil of Domenico Morone. Dai Libri painted his first altarpiece, a Deposition from the Cross for Santa Maria in Organo in Verona, at the age of sixteen.
Tait Arthur Fitzwilliam
English-born American Painter, 1819-1905 American painter and lithographer of English birth. He spent the first three decades of his life in England and arrived in New York in 1850. Steeped in admiration for the subjects of Edwin Landseer and the style of the Pre-Raphaelites, he established himself as a realistic painter of animals and sporting scenes. For his images of Western hunters and trappers, he used as sources the works of George Catlin and William Ranney, artists who, unlike himself, had travelled extensively. He established a summer studio at a camp in the Adirondack Mountains, where he painted sporting scenes. These wilderness scenes, often composed around an anecdote, appealed to a wide popular audience, and from 1852 Currier & Ives as well as Louis Prang published a number of lithographs and chromolithographs of his work. Tait also composed still-lifes of game birds and, in his later career, barnyard scenes of sheep and chickens. His painting A Tight Fix: Bear Hunting in Early Winter